Oil on Georgian Oil Paper 36cm x 45cm.
Post published by Tomas King 23 - 06 - 2017


Watercolour on paper. Post published by Tomas King 1 -06 - 2017


At the beginning of the life painting session each week we start with a series of quick studies. The three above were done in watercolour on cartridge paper. The smooth surface of the cartridge paper is not absorbent and the watercolour tends to float on the surface creating a fluid effect. It is a cheap way of making these quick studies without spending a lot of money on expensive watercolour paper. The image below is the finished oil sketch on canvas board which took one and a half hours.
 Post published by Tomas King 18th May 2017


As I mentioned in my last post I recently came across a box containing all the invitations to my past exhibitions. The watercolour, top (Profusion), was featured on the invitation to my first solo exhibition (Spring in Cahors) twenty five years ago and the one underneath (La Muy) is from my second solo exhibition (A Month in Provence) twenty three years ago. I recall that there were twenty three paintings in second exhibition and twenty two of them were sold. I am still wondering what was wrong with the one that did not sell! Those were the days.
Post published by Tomas King 12th May 2017


I recently came across a box containing some old exhibition invitations and a folder with some images of past paintings. I decided to scan them and save them onto the computer just in case they disappear again. I thought it might be an idea to publish them from time to time on my blog. My style has changed over the years but some of the images are still relevant. 'Red White and Blue' above was painted about eighteen years ago. It is watercolour on paper and measures approximately 28cm x 45cm.
Post published by Tomas King 29th April 2017


These three images were done as painting demonstrations at a class I have been running for beginners working in oil paint. The purpose of the demonstrations was to get the students to look at colour within objects and not just paint what they think they see. The cooking apples above for example are green but there are many, many different shades of green within this simple subject creating tone, shape and form. The same can be said of the pink pot above and the brown jug in the central image. Both of these objects were a single colour but the reflections, highlights and shadows add a vast range of tones yet they still look like a pink pot and a brown jug. The coloured squares were done to illustrate the fact that by making subtle changes to the ratio of the mixes a vast range of colours can
 be achieved from a very limited palette. The image on the left was done to illustrate the problems of making objects look round that are also transparent.
Post published by Tomas King 24th March 2017    


This painting forms part of a series I started some years ago of artist friends. The painting was created from life while the sculpture worked in her studio and was seventy five per cent complete at the end of the day. When I returned home I put it to one side and did not return to it until two years later. I love working spaces and they do not get much better than this.
Post published by Tomas King 6th March 2017   


A friend loaned me a chaise longue to use as a prop in my studio for a few weeks and I have been making good use of it. The image at the top of this post was painted in my studio recently, the watercolour (second from top) was painted first, the oil painting centre (55cm x 40cm) followed not long after. The figure study in watercolour (bottom) was also completed recently.
Post published by Tomas King 12th Jan. 2017. Revised 16th Jan. 2017.
Revised 6th March 2017.

Red Roofs in Winter Fields

Red Roofs in Winter Fields. Oil on Canvas
Post published by Tomas King 8 October 2016


A great day out painting on the Hook with an artist friend. Found this subject and the owners of the Old Farm (who were restoring it) kept us supplied with tea, coffee, biscuits and cakes all afternoon. Behind us was a panoramic view of the Hook Peninsula.
Watercolour on paper 31cm x 49cm
Post published by Tomas King 7th September 2016


Another study of artist friend Tom Roche, this time a charcoal done in my studio about two months ago. It measures approx. 42cm x 28cm and will be added to my studio collection of paintings and drawings of artist friends.
Post published by Tomas King 7th September 2016  


'At the Close of Day' above, is yet another image taken from my Norfolk sketchbook. This sketchbook, created some years ago, has proved a wonderful source of material, especially over
the last few months as the summer has not been very good here and it has been difficult to get out to paint. I have been revisiting this material as my work has changed since the sketchbook was first created, The inspiration for this came from a request to do a talk on my painting style and a demonstration at a local library. The painting was three quarters finished at the library and completed back at my studio. It measures 12" 16" and is oil on canvas-board.
Post published by Tomas king 17th July 2016.


My article, 'Working with a Loaded Brush', has been featured in this months (June 2016) issue of the Artists and Illustrators magazine and is available now.
Post published by Tomas King 4th May 2016 

At the Waters Edge

Another painting created from a sketch in my Norfolk sketchbook, this time from April 2000. That's one of the great things about sketchbooks, the material is timeless. It measures 28cm x 48cm (11"x 19") and was painted in oil on canvas paper. The original sketch was a watercolour.
Post published by Tomas King 26 - 04 - 2016   


This oil image, 'Fair Weather Clouds on Fallow Fields' was developed from a watercolour sketch in a sketchbook done in 1999. I decided to use it as the basis for a painting demonstration at a recent class to illustrate how to use sketchbooks and how to translate from one medium to another. The painting was two thirds complete at the demonstration and I liked it so much I decided to finish it later.
Fair Weather Clouds on Fallow Fields, oil on canvas board. 30cm x 41cm (12"x 16")
Post published by Tomas King 9th April 2016